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NOT FOR EVERYONE!

NOT FOR EVERYONE!
Susan Kearney headshot
Solar Heat
Lunar Heat

Susan Kearney headshotNOT FOR EVERYONE!

by Susan Kearney

What’s an author to do when she loves to write stories that some readers won’t even try?  It’s a dilemma because writers need to pay their bills like everyone else, so we want to be popular with readers. At the same time, my taste has always been a bit outside the norm.  Okay, if I’m honest, my taste is far from the norm.  And when I wrote my first futuristic romance, the Rystani series, the books were way, way out there.  Readers either loved or hated them.  But I learned that many readers simply heard the word futuristic and thought–it’s not for me.  The reasons were varied and  interesting for not even giving the books a try.  Some thought it would be too techie, too weird, too hard to understand or simply didn’t think they could relate.  So I set out to write a book that would ease non-readers of futuristic romance into the genre.  Lunar Heat was that story and  I set the book mostly on Earth.  I made sure to make one character an earth woman.  Okay, I gave her a man from another world to love and a mission that tests her morally, emotionally and physically.  And the romance had to be steamy.  So I finished the book and you’d think an author’s work would be done, right?  Wrong.

The next step was working on a cover.  Lucky for me I got to pick the cover models, was there for the shoot and had a lot of say in the cover art.  I wanted romance and a mood that would be inviting to romance readers.  The cover was so important because I wanted to depict romance, because that’s what the story is.  It’s romance that just happens to be set in the near future.  And if there’s a side trip to the moon, please don’t let that throw you.  It’s fun.  And I promise…the science is underwhelming.  So if you’ve never read a futuristic, I urge you to give this book a try.  Perhaps you’ll fall in love with a new genre and even want to read the sequel Solar Heat.  Um, got to admit, I when a bit further out into the galaxy on that one.  🙂

     Pick up LUNAR HEAT for just $1.99 through December! 

Lunar Heat

And make sure you pick up the sequel – SOLAR HEAT

Solar Heat

Oh, What Fun: Diving into an 18th Century Christmas

Oh, What Fun: Diving into an 18th Century Christmas
Keowee Valley

Katie Crawford - larger jpg colorOh, What Fun: Diving into an 18th Century Christmas

by Katherine Scott Crawford

Christmastime in the eighteenth century: This was something I had to research in order to write the Christmas scenes in my historical novel, Keowee Valley, which opens in the year 1768.

 

I say “had to,” but really—it was a blast! I’m a research hound and a history nut, and to top it off, Christmas happens to be my favorite time of year. Diving into the details of a Christmas nearly 250 years past was a job for which I’ll happily volunteer any day of the week.

 

But it wasn’t easy. For one, Keowee Valley is set in the American colonies during a time of great upheaval—the American Revolution is brewing—and not only that, the particular Christmas I was writing about takes place on the Southern frontier, in the then-wilderness of the Blue Ridge Mountains. The woman hosting the Christmas festivities—my protagonist, 25 year-old Quinn MacFadden—is a bit of a conundrum: she’s a quick-tempered bluestocking who rides a horse like a man, speaks a couple of long-dead languages, takes off into the back-country in search of her kidnapped cousin, barters for land from the Cherokee Indians and builds a settlement which functions as an egalitarian community, and is (at this point in the story) falling in rather complicated love with a mysterious half-Cherokee, half-Irish tracker with conundrums of his own.

 

While we know a bit of the Christmas traditions of the American colonists during this time, most of that comes from the diaries of people living in towns and cities like Savannah, Charleston, Wilmington, Philadelphia and New York. During a time of war, everything is thrown off kilter, even the holidays. And in the wild Carolina back-country, where Quinn lives with a handful of settlers, her faithful horse, and her Cherokee neighbors, we don’t really know what went on this time of year. We can assume folks of European descent celebrated much like they did wherever they were originally from. Perhaps they sang songs, made a special meal, lit precious candles, and spent time with family. After all, throughout history people have always attempted to hold on to tradition, no matter where they are when Christmastime rolls around.

 

For Quinn, this means the giving of simple, carefully-chosen gifts for the settlers with whom she shares her wild new home: people who were once strangers, and whom she has come to love.

 

There’s the leather gloves for a freed slave, a corncob pipe for a disgraced English lord, a tea kettle for a hard-working couple and a wood flute for their young sons. But it’s the two gifts Quinn receives in the middle of the deep, cold, holy night—one, the gift of a saved life, and two, a rather perfect surprise from a man who’s swiftly becoming much more than a stranger—that make it a very merry Christmas indeed.

Pick up KEOWEE VALLEY by Katherine Scott Crawford for just $1.99 through December 31st!

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A Sense of Place

A Sense of Place
New Photo
Murder on Edisto
Edisto Jinx

A Sense of Place

By C. Hope Clark

 

I love a strong sense of place in my stories, as writer or reader, so when given the opportunity for a new mystery series, I leaped onto the chance to place my mysteries on Edisto Beach.

 

The hardest of hearts and the saddest of souls can find peace on the sand, waves lapping at their toes. How many stories have been written and movies made about the ocean, and how people have used that ebb and flow, soft breezy environment to get away, seek answers, and let go of life’s burdens if even for a few days?

 

In my Edisto Mystery Series, I take a broken main character running from an interrupted law enforcement career, and help her escape to the beach where she hopes to heal. But of course I do not let that happen, and what was supposed to be a long-term retreat turns into death, injury, mental anguish, and a vicious cycle of life-threatening events. Amidst the waves, gulls, swaying palmettos and salty balmy wind, danger abounds.

 

She is often her own worst enemy, and since she’s operated in Boston for years, she views the beach from a detective’s eye, so even where island residents don’t see danger, she does. Without that juxtaposition of locations – big city versus beach village – the magic wouldn’t happen nearly as well.

 

Setting can often assume the role of a character. When a tale can’t be told better anywhere else, setting has morphed into a player. Frankly, that’s my preference in reading material – those stories where even the very ground the character stands on has an impact on the plot.

 

Imagine Sherlock Holmes in other than England. Or Janet Evanovich’s Stephanie Plum in other than New Jersey. Or Tony Hillerman’s western mysteries without the Navajo west? True, there are many mysteries that could happen in any urban setting, or any rural setting, or any country, for that matter. But doesn’t it enrich the storytelling so much more to know that where the players fight, love, live and die impacts how it all turns out?

 

BIO

C. Hope Clark inserts strong setting in both her award-winning Carolina Slade Mysteries and Edisto Island Mysteries, all set in rural South Carolina. When she isn’t writing mysteries, she is editor of FundsforWriters.com, an award-winning site to aid professional writers in their careers. She lives on the banks of Lake Murray in central SC when she isn’t walking the coast of Edisto Beach. www.chopeclark.com

Make sure you grab MURDER ON EDISTO only $1.99 through December! Happy Holidays! 

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And make sure you also grab the second in the series – Edisto Jinx!

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3,500 Posts

3,500 Posts

MelissaFord3,500 Posts

by Melissa Ford

This summer will mark 10 years of writing my blog, Stirrup Queens. I publish a post at least 5 times per week, though I write more posts than I publish. What this means is that for the last 10 years, I’ve sat down in front of my computer almost every single day and written down a record of a thought or event, polished it, and hit publish.

I write on my birthday and holidays and weekends. I write when I’m sick and when I’m in a terrible mood and when I only have 15 minutes before school pickup. Blog posts are the warm up for my regular 6 hour book writing day.

They’re not always good. I don’t always enjoy it.

But I like having 3,500 posts. They are 3,500 pieces of evidence that I showed up, even when I didn’t feel like it, even when I didn’t know what I was going to say when I turned on the computer.

They’re proof that showing up matters. That showing up is how work gets done. That showing up moves things forward. If I didn’t show up, I wouldn’t have 3,500 posts. I might only have 2,000 posts. Or 1,000 posts. Or be writing about how I’m hitting my 500th post, and isn’t that a terrific milestone?

And yes, it would be. But 3,500 is better, no? 3,500 over almost 10 years means that I have written every day. Slow and steady, bit by bit. Always showing up, and then continuing on to write six books, too.

That is the number one piece of advice I can give to new writers. Show up. Even when there are holidays, even when you’re sick, even when you’re in a terrible mood. Sit down with your book or your blog and put words on the screen. It’s okay if it isn’t what you feel like doing in the moment. Do it anyway.

Because maybe all of that work will mean that something good happens, like having your book chosen by Amazon to be one of their December deals.

Pick up APART AT THE SEAMS for just $1.99 through December!

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Hair There and Everywhere

Hair There and Everywhere
A Dog Named Slugger
piper face
Leigh face
Leigh snuggle
piper bag

Leigh faceHair There and Everywhere

by Leigh Brill

There’s a dog hair in my wine glass, and I couldn’t be happier.

You might suspect that my joy is inspired by my choice of libation. That’s a reasonable assumption, but in my dog-centric life, it is in fact the floating bit of fur that delights me. I pluck it from my glass and nonchalantly swipe it on my jeans. There, the tiny hair joins countless other reminders of my newest family member.

Piper is my fourth service dog. He follows in the remarkable paw piper faceprints of Slugger, Kenda, and Pato. The handsome black Labrador helps me deal with the challenges of congenital cerebral palsy, and he does so with style – a style I call ‘Pi-perfect’. Although our partnership is just beginning, ‘Pi-perfect’ is my favorite word these days. For good reason.

piper bagWhether he is retrieving the telephone, steadying my steps, or alerting my husband when I need help, Piper’s enthusiasm is boundless.  As a professionally trained service dog, he knows more than fifty different commands. Everything from hold, to get it, to tug, to bump.  Piper even knows the word refrigerator!  Yes, my smart Lab will go to the fridge, open it, grab my lunch bag, close the fridge, and bring me my food.Leigh snuggle

I keep my lunch bag securely closed of course, but to be honest, I do find the occasional dog hair on my lunch plate … and I couldn’t be happier.

 

Pick up A DOG NAMED SLUGGER by Leigh Brill – an Amazon Monthly Deal for just $1.99 throughout December! 

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MEMORY LOSS: THE GOOD THE BAD AND THE UGLY

MEMORY LOSS: THE GOOD THE BAD AND THE UGLY
Don Donaldson

Don DonaldsonMEMORY LOSS: THE GOOD THE BAD AND THE UGLY

by Don Donaldson

I once saw a guy on TV who could tell you what the weather had been every day of his life since he was six years old. He was what they call a Savant.  He wasn’t normal.  The normal brain is supposed to forget experiences like that, thereby keeping itself uncluttered enough that it can remember more important things. For example, while driving your car, it’s always good to remember which pedal works the gas and which one stops the vehicle. When crossing the street on foot, does the upraised hand on the signal across from you mean stop or go? Okay, I think you get the idea.  So forgetting what you had for breakfast on Sept. 15, five years ago, is nothing to worry about.  And nobody does.  (Except for detectives who are always asking people where they were or what they were doing so long ago nobody could give them a satisfactory answer.)

 

It takes a lot of memory to function normally.  What does my car look like?  Where do I live?  What’s my name? People generally don’t have trouble with questions like that because those memories are extremely important and they get reinforced practically every day.  But for many of us, anniversaries and birthdays sometimes get lost in the myriad of activities a typical day requires. If asked, we could recite the date of those special events, but we just forget to remember them at the appropriate time.  For men, those memory slips can be classified as bad or very bad depending on the temperament of their spouse.

 

In contrast to what I’ve described above, suppose you look at the clock one day and discover that you’ve lost four hours and have no idea what you did or where you were during that time. That’s not only an example of an ugly kind of memory loss, it’s one that would terrify you.  Now imagine that it happened for the first time shortly after you started your new job at a mental hospital where some of your patients were criminally insane. Did you leave any of the insanity wards unlocked?  Were you alone with any of the dangerous inmates?  What the h… is happening to you?

 

That’s the situation facing the lead character in my book, THE MEMORY THIEF. Marti Segerson has accepted a job as staff psychiatrist at an old mental hospital in a rural area of Tennessee.  She’s there to seek revenge on one of the inmates for something that happened to her when she was a child. She has a good plan, but couldn’t have anticipated the horrific events that soon overtake her.

In all my medical thrillers I try to push the existing frontiers of knowledge just a bit farther into the future.  It’s interesting to me that some readers will not accept such a thing.  They judge an event or situation in a novel to be believable only if it has already really happened somewhere.  But where’s the fun in that? To me that’s like preferring to get a nap in the hotel while the rest of the group is climbing on a bus for a sightseeing trip to some exotic location. When it comes to writing, I’d rather get out of the hotel.  In THE MEMORY THIEF, The nature of memory, how it’s captured, how it’s recalled, where in the brain it’s stored; all provided fertile ground for the kind of story I like to tell. I hope it’s one you won’t soon forget.

 

So who wants to go sightseeing with me?

Don Donaldson’s THE MEMORY THIEF is on sale for just $1.99 til the 15th! Pick it up today! 

Click the cover to view:

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Not for the Faint of Heart

Not for the Faint of Heart
jim_melvin
Chained by Fear
jim_melvinNot for the Faint of Heart
by Jim Melvin
 
For better or worse, my six-book epic fantasy series The Death Wizard Chronicles is a scary, rugged journey into the darkest depths of subconsciousness. Like many recent and very popular epic fantasy series such as Game of Thrones, my 700,000-word saga – including Book 2 titled Chained by Fear – contains graphic violence and a few brief though disturbing sexual scenes. This it not erotica, but it is best read by those ages 18 and above.
 
I did not write my series this way as an attempt to sell books to fans of erotica. Or to upset conservative readers who are offended by such things. Quite the contrary. I wrote The Death Wizard Chronicles this way despite the fact that it might alienate a relatively large proportion of my audience.
 
But when you write from the heart, you can’t pull punches. If you do, it will tear out your own heart.
 
And – believe me – there was a method to my madness.
 
My series delves beneath the surface and meanders purposefully between the lines. Eastern philosophy plays a significant role in my thematic presentation, but not in the way that would scare off other faiths or philosophies. Rather, The Death Wizard Chroniclesdeeply explores the fundamental definitions of good and evil, hope and despair. And it asks the ultimate question: What should we, as sentient beings, fear the most?
 
The answer: Not death. But rather, a life lived in ignorance.
 
Only, how do you define ignorance? Sexual perversion is certainly one part of the equation. Violence against other living beings is another. Attachment. Aversion. Fear, itself.
 
The Death Wizard Chronicles is not Harry Potter. Or even The Lord of the Rings, though much of Tolkien’s genius has influenced my work.
 
No … The Death Wizard Chronicles is a work all its own. As unique as it is disruptive. As challenging as it is offensive. And it has much to teach, if you are willing to learn.
 
 
Only a Death Wizard can die.
 
And live again.
 
Only a Death Wizard can return.
 
And remember.
 
Only a Death Wizard can tell you what he has seen.
 
Not all care to listen.
 
 
Not all care to listen. Sigh. I have this strange and rather discomforting feeling that my series will be “discovered” after I’m gone. If I were a Death Wizard, that wouldn’t be a problem. J
 
But I promise you this:
 
The Death Wizard Chronicles, including Chained by Fear, is exciting and action-packed. It has magic and monsters, sorcerers and dragons, and a slew of fantastical characters that you’ve never seen before in any genre.
 
Give it a chance … and you won’t regret it.
 
Just be prepared. The Death Wizard Chronicles might alter the way you feel about your own life.
 
And eventual death.
 
It will test your mettle. It certainly tested mine.
 
But maybe it will toughen it, as well. 
Pick up Jim Melvin’s CHAINED BY FEAR for just $0.99 til the 15th! 
This deal won’t last long! Click the cover to purchase! 
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Why is there no Grandmother’s Day?

Why is there no Grandmother’s Day?
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Crossroads

Deb Smith 300 dpiWhy is there no Grandmother’s Day?

This is a trick question.

Every book I write, including The Crossroads Café, focuses not only on a core romance story but is also about family;  mothers, fathers, daughters, sons, and grandparents. Sometimes the theme may be subtle, sometimes not. Family is the parallel core, regardless.

My mother made me what I am today.

All the good stuff and the bad. Some of it sad, but forgiveness was always a given between us.

She was simple, easy, heartbreaking, wonderful. Ma was normal, flawed, like me, but kinder than I am and more realistic. I miss her every moment of every day. She died in my home nine years ago next December, her bedroom filled with Christmas decorations, with me standing beside the rented hospital bed, yelling for help from the hospice nurse.

I am writing this in a sunroom that is now my office, just outside her bedroom. Fifteen feet from where she lay in that sad, rented bed with its undulating air-pump mattress to prevent bed sores, its pull-up rails to keep her from tumbling out, and the loud, gasp-and-release gush of the oxygen concentrator that fed life into her cigarette-ruined lungs.

A few of her clothes still hang in the room’s closet. I store my yarn in there, and so I often stroke her dresses while searching for a skein or hank. Her soft fleece jacket, her nightgowns. I talk to them. To her.

I want her forgiveness for something. It’s always there, the need to be forgiven by her.

Forgiveness was never an issue with my grandmother, however. Forgiveness was for weaklings. She wanted to mold me into a fire-breathing dragon, the spitting were-cat of Southern womanhood. Just like her.

As a result, I’m a product of a mixed marriage.

Submissive, chain-smoking, hard-drinking, tender-hearted Mama.

Dominant, teetotaler, hard-hearted Grandmother.

I have the fantasies of a Valkyrie mixed with the manners of a furious wildcat shellacked with the veneer of Melanie Wilkes.

Why, bless your heart. And to hell with you.  

There she is. Grandma is peeking around the corner of my mind, whispering to me. Good angel or fallen angel? Both?

She defended me fiercely during my years as a whacky teenager, but would come into my tiny bedroom when I slept too late and throw a pan of sizzling, oven-broiled buttered toast on me.

On the eve of my wedding, she very dramatically (at 85 years old) staggered down her hallway and collapsed loudly against my bedroom door.

“Have your fun and spend your money the way you want to before you get married. After that, you’re stuck.”

No offense to my beloved Husband of lo’ these many years, but she had a point, at least in her experience. She’d given up her career at Western Union in the 1940’s, as a trainer of telegram operators, because my grandfather (who also worked for Western Union) said she must stay home and become a fulltime mother to my Dad.

Dad turned out to be an only child. Go figure.

She put aside her daily downtown Atlanta life, where she rubbed shoulders with Margaret Mitchell, shopped at Rich’s Department Store, and was among the first at Western Union to know that President Roosevelt had died at Warm Springs—top secret messages came through her office on their way to Washington, D.C.—to become a farm wife wearing aprons and canning vegetables.

The anger in her was immense. As a child I watched her gleefully wring chickens by the neck; she patrolled her property with a sawed-off shotgun and challenged neighbors to so much as set foot inside her territory. Before electric or even hand-cranked can openers, she jabbed the wicked blade of a hand-held can opener into quivering tin containers. She pumped the blade around their rims like an oysterman cracking a shell.

She could kill people with that can blade. I’m not sure she hadn’t stabbed a few. Some of her nefarious siblings (from a dirt-poor family of eleven kids) challenged her as long as she lived.

She adored her baby brothers—they could do no wrong, in her mind—the preacher, the polio survivor, the dead war hero, and the youngest brother who joined the navy not long after World War One and eventually settled in sunny California with a bawdy, lovable, California beach babe.

But her sisters? Whoa. It was whispered she’d hauled her indiscreet younger sisters to back-alley abortionists in their teens; she’d even incarcerated one sister in a Catholic “school” for girls. Grandmother didn’t care about religion, not seriously, so she had few prejudices in that regard. To her, Catholic nuns were admirably strict.  She judged them on that merit, alone.

Grandmother didn’t take excuses for an answer. This was the girl who got on a train in 1911 and traveled to the far end of Georgia. She was seventeen years old and had never been outside her own home county before.

She worked her way through a teacher’s college amidst the hot cotton fields of South Georgia, waiting tables in the faculty dining room.

It was a co-ed school. The boys studied farming. Modern agriculture. Grandma became sweethearts with a football player. She posed for a picture on a tennis court, of all things, holding a racket and pretending she would ever willingly smack a ball for fun; besides, the college’s dress code was still rooted in the 1800’s. So there she stood, the farm girl corseted into a dark, full-length dress with puffed seeves. Her brown hair was done up in a high Gibson Girl ’do.

Her expression looked grim.

You’re going to aim a stupid little ball at me? You’ll wish you’d been skinned alive, instead. 

She never doubted herself, never apologized, never backed down. At the end of her life, as she lay in a nursing home at ninety-two, with me holding her hand, I said, “I love you.” I had hardly ever said that to her before. She’d never said it to anyone, me included.

“I love you,” I said.

“I know,” she answered.

Couldn’t pry a return confession out of her. Not even with Death’s scepter as the can opener.

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Remember your family with THE CROSSROADS CAFE – an April Monthly Deal for only $1.99!

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