Inspiration

From Jeanne Stein

From Jeanne Stein
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4Hexed
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2BloodDrive
3MissionBeach
Blood Drive

pic 1From Jeanne Stein

 

I want to thank Belle Books for featuring Blood Drive in this month’s promotion. I thought one way to promote it was to show you a few of my favorite moments in writing the Anna Strong novels.

 

The first picture is my writing space. I love seeing where other authors work their magic. I hope you enjoy this peek into where I spend much of my time.

 

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Next, Blood Drive has been translated into three languages. Here’s the Norwegian cover.

 

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The Anna Strong stories are set in Mission Beach, California. If you are familiar with the area, you will recognize many of the locations I use in the books.

 

3MissionBeach

 

While I’ve been on several National Best Seller lists, The only Anna Strong title that has yet to make the NYT list was the story, Blood Debt, in the anthology HEXED.

 

4Hexed

 

It was a thrill to see my name on that NYT list, even if only for a week!

 

Hexed  by Ilona Andrews, Yasmine Galenorn, Allyson James, Jeanne C. Stein

Format: Paperback Released: June 7, 2011
Publisher: Berkley List price: $7.99
ISBN-10: 0425241769 ISBN-13: 9780425241769

 

New York Times
Mass-market Fiction
List date #
June 26, 2011  32

 

 

 

So there it is…a glimpse into the life of a writer. It’s one of the hardest jobs I’ve ever had, but without a doubt, also one of the best. Please feel free to contact me at Jeanne@jeannestein.com. I love hearing from readers.

 

Pick up BLOOD DRIVE for just $1.99 through the 15th!

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What Began as a Whim…

What Began as a Whim…
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Dream Singer

New photo full body pose

What Began as as Whim…

by J.A. Ferguson

Dream Singer, the first of the Dream Chronicles, began as a whim. I’d been writing historical romances for years, and I wanted to write something different. For the fun of it, taking the advice of C.S. Lewis to write the book I wanted to read. I took the characters of Durgan Ketassian and Nerienne and dropped them into the setting and let the story unfold.

The only requirement was that anything was possible.

I wanted the book to have music and color in it. I’ve always admired musicians who create wondrous melodies out of nothing as well as visual artists like my sister and my daughter. They see things in unique ways. I gave music to Durgan, making him a dreamsinger, someone who can see into dreams through music. Nerienne got the gift of being able to discern people’s true feelings by seeing the colors surrounding them.

Right from the beginning, the idea that they were enemies who would have to fight a common foe drove the story. Okay, it’s a beloved romance trope – the bad boy and the good girl. But in this case, the girl is well-familiar with evil because her mother, the leader of their world, is not the nice and cuddly soccer mom type.

I wrote the first chapters, but something was missing. The heroine needed a reflection character, someone she could talk to so the reader (me!) saw the emotions she kept hidden from the hero. I tossed away the ideas of a servant or sibling as mundane. That led me to a pet…a talking pet only she could hear. But better yet, a truly annoying talking pet. Bidge was born.

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I’ve been asked a lot about the origin of Bidge’s name. At first, I saw her as the character who not only listened to Nerienne, but nudged her to do the right thing. Her fuzzy-faced conscience in a shell. Nudge became Budge which evolved into Bidge. But Bidge evolved as well, and her name was even more accurate because instead of nudging, she nags. Think of a synonym for nag and say Bidge’s name aloud, and you should be able to pick up on the accuracy of her name!

With my characters in place, I wrote the book I wanted to read. Once it was finished, I went back to work on my contracted books. I never thought I’d do anything with it…until a good friend mentioned a friend of hers was starting a publishing company and looking for odd paranormal books. I sent off an email to Linda Kichline, the founder of ImaJinn Books, asking if she wanted to see my manuscript which definitely fit the definition of odd paranormal. Since then, the first book has grown into five, and my original three characters, especially Bidge, have played a part in each one to the delight of readers.

Pick up DREAM SINGER for just $1.99! On sale til the 15th!

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NOT FOR EVERYONE!

NOT FOR EVERYONE!
Susan Kearney headshot
Solar Heat
Lunar Heat

Susan Kearney headshotNOT FOR EVERYONE!

by Susan Kearney

What’s an author to do when she loves to write stories that some readers won’t even try?  It’s a dilemma because writers need to pay their bills like everyone else, so we want to be popular with readers. At the same time, my taste has always been a bit outside the norm.  Okay, if I’m honest, my taste is far from the norm.  And when I wrote my first futuristic romance, the Rystani series, the books were way, way out there.  Readers either loved or hated them.  But I learned that many readers simply heard the word futuristic and thought–it’s not for me.  The reasons were varied and  interesting for not even giving the books a try.  Some thought it would be too techie, too weird, too hard to understand or simply didn’t think they could relate.  So I set out to write a book that would ease non-readers of futuristic romance into the genre.  Lunar Heat was that story and  I set the book mostly on Earth.  I made sure to make one character an earth woman.  Okay, I gave her a man from another world to love and a mission that tests her morally, emotionally and physically.  And the romance had to be steamy.  So I finished the book and you’d think an author’s work would be done, right?  Wrong.

The next step was working on a cover.  Lucky for me I got to pick the cover models, was there for the shoot and had a lot of say in the cover art.  I wanted romance and a mood that would be inviting to romance readers.  The cover was so important because I wanted to depict romance, because that’s what the story is.  It’s romance that just happens to be set in the near future.  And if there’s a side trip to the moon, please don’t let that throw you.  It’s fun.  And I promise…the science is underwhelming.  So if you’ve never read a futuristic, I urge you to give this book a try.  Perhaps you’ll fall in love with a new genre and even want to read the sequel Solar Heat.  Um, got to admit, I when a bit further out into the galaxy on that one.  🙂

     Pick up LUNAR HEAT for just $1.99 through December! 

Lunar Heat

And make sure you pick up the sequel – SOLAR HEAT

Solar Heat

3,500 Posts

3,500 Posts

MelissaFord3,500 Posts

by Melissa Ford

This summer will mark 10 years of writing my blog, Stirrup Queens. I publish a post at least 5 times per week, though I write more posts than I publish. What this means is that for the last 10 years, I’ve sat down in front of my computer almost every single day and written down a record of a thought or event, polished it, and hit publish.

I write on my birthday and holidays and weekends. I write when I’m sick and when I’m in a terrible mood and when I only have 15 minutes before school pickup. Blog posts are the warm up for my regular 6 hour book writing day.

They’re not always good. I don’t always enjoy it.

But I like having 3,500 posts. They are 3,500 pieces of evidence that I showed up, even when I didn’t feel like it, even when I didn’t know what I was going to say when I turned on the computer.

They’re proof that showing up matters. That showing up is how work gets done. That showing up moves things forward. If I didn’t show up, I wouldn’t have 3,500 posts. I might only have 2,000 posts. Or 1,000 posts. Or be writing about how I’m hitting my 500th post, and isn’t that a terrific milestone?

And yes, it would be. But 3,500 is better, no? 3,500 over almost 10 years means that I have written every day. Slow and steady, bit by bit. Always showing up, and then continuing on to write six books, too.

That is the number one piece of advice I can give to new writers. Show up. Even when there are holidays, even when you’re sick, even when you’re in a terrible mood. Sit down with your book or your blog and put words on the screen. It’s okay if it isn’t what you feel like doing in the moment. Do it anyway.

Because maybe all of that work will mean that something good happens, like having your book chosen by Amazon to be one of their December deals.

Pick up APART AT THE SEAMS for just $1.99 through December!

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Deep In December

Deep In December
coasters eagle
Eagle Author Photo
The Last Good Man

Eagle Author Photo

 

DEEP IN DECEMBER

By Kathleen Eagle

 

The weather outside hasn’t been frightful up here in the North Country lately, but in the last few days Jack Frost woke up and started sprinkling tiny ice stars on the grass. Right now I’m watching snow sift softly like powdered sugar from an angel’s donut, and tonight we’re promised our first white winter blanket.  Because, baby, it’s cold outside.

It’s no accident that we celebrate our brightest holidays in the winter. It’s a dark time, and we need to brighten up our surroundings with fire and stars and smiling faces. It’s cold, and we need to wrap up and make a circle and share warmth. It’s quiet. It’s the perfect time to share food and gifts, songs and stories.

Romance comes from the heart, which is why so many holiday classics tug at the heartstrings. They’re love stories in the broadest sense. One of my favorites when I was very young was “The Little Match Girl.” The original Hans Christian Andersen story is pretty tragic, but the TV adaptation I remember had a happy ending. I cried every time the little girl stood outside in the cold, and when she was invited to come inside and stay, I sobbed.  Family, friends, finding a soul mate—holiday stories celebrate people coming together, face to face, hand in hand.

What a joy it is to have THE LAST GOOD MAN chosen for Amazon’s holiday store for the month of December. The story was inspired by my beautiful, brave baby sister, who is a breast cancer survivor. This book is a good answer to the question, “Where do your stories come from?” The characters and events are completely fictitious, but the emotional experience is drawn from life. THE SHARING SPOON—my collection of three novellas with three very different settings and common holiday theme—is also specially priced this month. I can just see readers taking time for themselves with one of my stories during this busy season. A comfy corner, a cup of cheer, and a book.  A gift for yourself. Read a good story and then pass it on to someone dear to you.

coasters eagle

And speaking of holiday gifts, my daughter brought me something special on Thanksgiving. We mothers treasure the gifts our kids have made themselves, and my grown daughter—Lady Elizabeth’s Dreamwear Catalog from THE LAST GOOD MAN is a nod to her name—still makes many of her gifts for family and friends. And there’s always some special significance, not to mention imagination and skill involved. The coasters she made for me this year are covered with my words—pages scanned from one of my books. She chose THIS TIME FOREVER because she was there when I received the RITA award for that book. What a lovely memory. What a lovely daughter! And what a lovely time of year for heartwarming stories.

 

The Last Good Man by Kathleen Eagle is on sale the entire month of December for just $1.99! Click the cover below to purchase!

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Give cats a little Christmas cheer!

Give cats a little Christmas cheer!
The Dog Walker
corwyn cat

The Dog Walker - 200 x 300 x 72Give cats a little Christmas cheer!

By Corwyn Alvarez

Dear readers, I would like to begin by thanking everyone who has purchased my book, The Dog Walker.  I sincerely appreciate your patronage.  I would also like to thank Bell Bridge for the opportunity to contribute to their blog.  In keeping with my themes which tend to revolve around the needs of homeless animals, I would like to mention that we are fast approaching winter and with this season some homeless animals struggle merely to survive.  I am drawing particular attention here to the needs of feral cats.  Interestingly, I was not a cat lover until several years ago when my friend told me the story of a feral cat in her neighborhood whom she had named Papi kitty or Pop for short.  It seems that her feral cat – that is now around twelve years old – at one time had a wife and two kids.  Over the years his entire family died, either they froze to death or were run over or got sick.  The only one who survived was Pop.

When I heard his story I immediately went into action and began feeding him in the sewer where he lives (when he is done eating I retrieve the empties so it doesn’t clog the sewer).  I have been doing this now for about three years.  When it snows I make sure that I shovel out the sewer opening facing the road so it is clear for him to go in and out.  Needless to say, Pop has won my heart and we have established an understanding with each other and he knows I’m his friend.  I love all cats now as never before, in large corwyn catpart because of Pop.  So if this winter you see any feral cats in your neighborhood I would ask that you please show them some kindness and help them out if you are able.  They are beautiful animals and it breaks my heart to see them roaming the streets, especially when it is cold and the weather is harsh.  Anything that you can do for them, whether as elaborate as having them spayed and neutered, or providing them a warm shelter, or providing them with some dry or wet food would be a great blessing for them.  They depend on our kind actions to survive, no matter how great or how small.  I have attached a photograph of Pop for those of you who might be interested.  A photo of Pop is also posted on my Amazon page.  I wish each and every one of you and everyone at Bell Bridge a safe and joyful holiday season.

 

The Dog Walker by Corwyn Alvarez is on sale the entire month of December for just $1.99! Click the cover above to purchase! 

Persephone Tells All—Fear, Power, and Life With Hades

Persephone Tells All—Fear, Power, and Life With Hades
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Persephone
Daughter of Earth and Sky
The Iron Queen

FullSizeRenderPersephone Tells All—Fear, Power, and Life With Hades

by Kaitlin Bevis

If you want to know a culture’s fears, study their stories. Fears resonate. They keep us talking, keep us telling the story, because as long as it’s a story, it’s happening to someone else. There’s a reason the Persephone myth is one of the five major myths taught to school children everywhere. There’s a reason echoes of this myth keep popping up in modern culture, sometimes as overtly as my retellings, and other times as subtle as Beauty and the Beast. We tell the same story over and over and over again because it scares us. Something about that myth leaves people feeling unsettled. There’s a wrongness to it that demands to be fixed. So throughout time, we’ve told it again and again, hoping that maybe this time, we’d get it right.

 

What is it about the Persephone myth that resonates so much with us? On its surface, the answer is simple. Persephone is, at its heart, the story of a mother searching for her daughter. As a mother, I can literally not even imagine the depths of the fear of not knowing where my daughter is, or worse, knowing exactly what horrible place she’s been taken to, but not being able to save her. There is nothing I wouldn’t do to keep her save, and goddess help anyone who gets in my way.

 

But there’s more than that. There has to be, because as a mom, I get the universal fear behind the myth, but I was fascinated with it long before I became a mother. The most common audience for the Persephone myth aren’t parents, but children. Specifically children on the cusp of adulthood. Teenagers. And I know why.

 

The myth is incomplete. In the original telling, we know all about Demeter’s fears and motives. We trace her steps through history as she scours the globe looking for her daughter. We glimpse the politics of Olympus enough to understand Zeus’ motives for allowing Hades to take Persephone and the drastic events that had to take place before he relented and returned the missing girl. We’re there for Hades catching a glimpse of Persephone for the first time, and we get his rationale and his motives for why he took her. We even get motives from nymphs and primordial deities with such minor roles that they get written out of most versions of the myth. Literally the only voice missing from the Persephone myth is Persephone’s.

 

Persephone was silenced, but the impact of her abduction is apparent. Her mythology begins with her as an innocent, carefree, happy girl picking flowers and ends with her role as the Iron Queen, a major force to be reckoned with mythologically speaking. Her name even changes. She has the ultimate coming of age story and she doesn’t even get to tell it.

 

We’re not just afraid of losing our children, we’re afraid of losing ourselves and our voices. And that fear repeats itself over and over and over again in Greek mythology. Ovid wrote an entire book about transformation in Greek mythology. Cassandra gained an awesome power, only to lose her voice and go insane. We pay the ferryman two coins to take us across the river because the potential of being thrown in Tartarus is less frightening than the thought of being stuck on the wrong side of the river, alone and ignored. Orpheus was featured just as prominently in Greek mythology as Hercules and literally the only superpower he had was the ability to make people listen.

 

I wanted to tell Persephone’s story. I wanted to get into her head and understand her transformation into the Iron Queen. I changed details here and there and I modernized the story, but I did my best to stay true to the spirit of the myth. One of the ways I did that was through the book titles. In the myth, Persephone was defined by her titles.

Book one, Persephone, is about her transformation from an ordinary girl named Kora, to Persephone, the Queen of the Underworld. It’s the story of her abduction. Her time in the Underworld changes her, but her story doesn’t end there.

 

I called the second one Daughter of the Earth and Sky because in the myth, Persephone’s value was placed in her role to other people. She was Demeter’s daughter, Zeus’ daughter and pawn, and Hades’ wife. The second book in the trilogy is all about Persephone trying, and failing, to balance all of her roles and the expectations that come with them without losing herself in the process. She starts the book clinging to the remnants of her old life and trying to make them fit into what she thinks her new life should be. She’s so afraid of who she might be becoming that she loses sight of who she is.

 

In the myths, it wasn’t until she came into her own as The Iron Queen that Persephone was referred to as a person in her own right instead of an object. Book three Persephone is a force to be reckoned with. Writing that, reaching that point with her character, was an incredible awarding experience that settled the sense of wrongness hearing the myth had left me with. I can only hope reading it does the same thing.

Pick up the first two books of The Daughters of Zeus series today!

          Persephone Daughter of Earth and Sky

And make sure you grab THE IRON QUEEN

available for pre order!

The Iron Queen

Why is there no Grandmother’s Day?

Why is there no Grandmother’s Day?
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Crossroads

Deb Smith 300 dpiWhy is there no Grandmother’s Day?

This is a trick question.

Every book I write, including The Crossroads Café, focuses not only on a core romance story but is also about family;  mothers, fathers, daughters, sons, and grandparents. Sometimes the theme may be subtle, sometimes not. Family is the parallel core, regardless.

My mother made me what I am today.

All the good stuff and the bad. Some of it sad, but forgiveness was always a given between us.

She was simple, easy, heartbreaking, wonderful. Ma was normal, flawed, like me, but kinder than I am and more realistic. I miss her every moment of every day. She died in my home nine years ago next December, her bedroom filled with Christmas decorations, with me standing beside the rented hospital bed, yelling for help from the hospice nurse.

I am writing this in a sunroom that is now my office, just outside her bedroom. Fifteen feet from where she lay in that sad, rented bed with its undulating air-pump mattress to prevent bed sores, its pull-up rails to keep her from tumbling out, and the loud, gasp-and-release gush of the oxygen concentrator that fed life into her cigarette-ruined lungs.

A few of her clothes still hang in the room’s closet. I store my yarn in there, and so I often stroke her dresses while searching for a skein or hank. Her soft fleece jacket, her nightgowns. I talk to them. To her.

I want her forgiveness for something. It’s always there, the need to be forgiven by her.

Forgiveness was never an issue with my grandmother, however. Forgiveness was for weaklings. She wanted to mold me into a fire-breathing dragon, the spitting were-cat of Southern womanhood. Just like her.

As a result, I’m a product of a mixed marriage.

Submissive, chain-smoking, hard-drinking, tender-hearted Mama.

Dominant, teetotaler, hard-hearted Grandmother.

I have the fantasies of a Valkyrie mixed with the manners of a furious wildcat shellacked with the veneer of Melanie Wilkes.

Why, bless your heart. And to hell with you.  

There she is. Grandma is peeking around the corner of my mind, whispering to me. Good angel or fallen angel? Both?

She defended me fiercely during my years as a whacky teenager, but would come into my tiny bedroom when I slept too late and throw a pan of sizzling, oven-broiled buttered toast on me.

On the eve of my wedding, she very dramatically (at 85 years old) staggered down her hallway and collapsed loudly against my bedroom door.

“Have your fun and spend your money the way you want to before you get married. After that, you’re stuck.”

No offense to my beloved Husband of lo’ these many years, but she had a point, at least in her experience. She’d given up her career at Western Union in the 1940’s, as a trainer of telegram operators, because my grandfather (who also worked for Western Union) said she must stay home and become a fulltime mother to my Dad.

Dad turned out to be an only child. Go figure.

She put aside her daily downtown Atlanta life, where she rubbed shoulders with Margaret Mitchell, shopped at Rich’s Department Store, and was among the first at Western Union to know that President Roosevelt had died at Warm Springs—top secret messages came through her office on their way to Washington, D.C.—to become a farm wife wearing aprons and canning vegetables.

The anger in her was immense. As a child I watched her gleefully wring chickens by the neck; she patrolled her property with a sawed-off shotgun and challenged neighbors to so much as set foot inside her territory. Before electric or even hand-cranked can openers, she jabbed the wicked blade of a hand-held can opener into quivering tin containers. She pumped the blade around their rims like an oysterman cracking a shell.

She could kill people with that can blade. I’m not sure she hadn’t stabbed a few. Some of her nefarious siblings (from a dirt-poor family of eleven kids) challenged her as long as she lived.

She adored her baby brothers—they could do no wrong, in her mind—the preacher, the polio survivor, the dead war hero, and the youngest brother who joined the navy not long after World War One and eventually settled in sunny California with a bawdy, lovable, California beach babe.

But her sisters? Whoa. It was whispered she’d hauled her indiscreet younger sisters to back-alley abortionists in their teens; she’d even incarcerated one sister in a Catholic “school” for girls. Grandmother didn’t care about religion, not seriously, so she had few prejudices in that regard. To her, Catholic nuns were admirably strict.  She judged them on that merit, alone.

Grandmother didn’t take excuses for an answer. This was the girl who got on a train in 1911 and traveled to the far end of Georgia. She was seventeen years old and had never been outside her own home county before.

She worked her way through a teacher’s college amidst the hot cotton fields of South Georgia, waiting tables in the faculty dining room.

It was a co-ed school. The boys studied farming. Modern agriculture. Grandma became sweethearts with a football player. She posed for a picture on a tennis court, of all things, holding a racket and pretending she would ever willingly smack a ball for fun; besides, the college’s dress code was still rooted in the 1800’s. So there she stood, the farm girl corseted into a dark, full-length dress with puffed seeves. Her brown hair was done up in a high Gibson Girl ’do.

Her expression looked grim.

You’re going to aim a stupid little ball at me? You’ll wish you’d been skinned alive, instead. 

She never doubted herself, never apologized, never backed down. At the end of her life, as she lay in a nursing home at ninety-two, with me holding her hand, I said, “I love you.” I had hardly ever said that to her before. She’d never said it to anyone, me included.

“I love you,” I said.

“I know,” she answered.

Couldn’t pry a return confession out of her. Not even with Death’s scepter as the can opener.

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Remember your family with THE CROSSROADS CAFE – an April Monthly Deal for only $1.99!

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“The Mother I Will Never Forget”

“The Mother I Will Never Forget”
Phyllis Schieber
The Manicurist

Phyllis Schieber“The Mother I Will Never Forget”

by Phyllis Schieber

My mother, a survivor of the Holocaust, thought it was a miracle that she could feed, clothe and keep her children safe. For a woman who had survived the Tranistria Death March when she was fourteen, it must have seemed an extraordinary triumph. But many years later, she discovered Dr. Leo Buscaglia, an inspirational writer and speaker, on television, and she learned that it was also important to verbally express love to those you cherished. “I’m sorry,” she said. “I didn’t know.” From then on, every conversation ended with, “I love you.” I admired her willingness to learn and to grow. She was charming too. People were drawn to her, captivated by her beauty, her wit and flirtatious ways. But she was fragile, damaged. I seem to have always known that just as I always knew it was my responsibility to care for her.

After The Manicurist was released, I was interviewed on Blogaid Radio. The host, Mananna Stephenson, suggested that the relationship between Tessa, the protagonist in The Manicurist, and Ursula, her mother, had a dynamic similar to my relationship with my mother. Ursula, who is extremely troubled and needy, depends on Tessa to help navigate the world. Though I shouldn’t have been, I was surprised by the resemblance between the circumstances of Tessa’s life to my own life.

I frequently write about the complex relationships between mothers and daughters. I loved my mother. She could infuriate me with her stubbornness and her neediness, but she could also touch my heart in ways that no one else could. Though she hardly wore any, she loved make-up and always bought items that came with a special offer. Once I said, “Mom, why do you buy all this stuff?” She smiled and said, “Because once in awhile, you just feel like a new lipstick.” She was right. My mother was shaped by an experience so devastating that I often wondered how she managed to still find joy in anything, to still love. But she did.

The relationship between Tessa and Ursula is so laden with disappointments and pain that it seems unlikely the two will ever be able to overcome their differences. Yet, throughout, they are unable to escape the bond between mother and daughter, even if it is a tenuous bond. From time-to-time in her later years, my mother would ask, “Was I a good mother?” I always reassured her that she had been a very good mother. And it was the truth. She did the best she could. And I believe that Ursula does the same. She wants to be good mother. That matters to her as it does to all of us who are mothers.

I dream about my mother sometimes. She’s always young, always smiling and laughing. Sometimes I’m cutting the threads between the scarves she sewed for a few cents each. I’m reading to her as the pastel colored chiffon tumbles around me, and she nods, listening and humming a song she could never quite remember the words to. That’s the mother I choose to remember. She was a good mother.  That’s the mother I remember, the mother I will never forget.

 

 THE MANICURIST by Phyllis Schieber is a March Monthly 100 for only $1.99! Get it today! 

The Manicurist

“Like Lightning in a Bottle”

“Like Lightning in a Bottle”
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SANYO DIGITAL CAMERA“Like Lightning in a Bottle”

by Anne Stuart

Every now and then a writer has something absolutely fabulous happen to her.  All the stars are in alignment, the gods are smiling, and life is good.

About twenty years ago I wrote what still remains possibly my favorite book ever, NIGHTFALL, and the circumstances were blessed indeed.

I’d been busy writing romances for the Harlequin American, Harlequin Intrigue, and occasionally the Silhouette Intimate Moments lines.  Series writing is always full of rules:  I had editors count how many times I said “bitch” and “bastard” (and if you’re familiar with my work you know my hero and heroine tend to think of their true love in such cantankerous terms).  I’ve traded two “bitches” for a “bastard” when I really wanted it, and made a mostly unsuccessful attempt at behaving myself.  As anyone will tell you, I’ve never been very good at being good.

I wrote books where the hero was the son of a mass murderer, or he thought he was the reincarnation of Jack the Ripper and the heroine was the reincarnation of a victim.  I had heroes pretending to be crazy, heroes who were unrepentant cat burglars, disfigured hermits, 1930’s pilots, shapeshifters before they were popular, ghosts from the Valentine’s Day Massacre, fallen angels.  I broke all sorts of rules and had a good time doing it, but everyone kept asking me when I was going to do a “big book.”  It was a time when most series writers were moving out of the category business, but I kept writing my edgy books and staying exactly where I was.  Whenever I came up with a proposal for a mainstream romantic suspense novel it was turned down and ended up going to Silhouette Intimate Moments (and both times becoming a RITA finalist – NOW YOU SEE HIM and SPECIAL GIFTS).  I finally gave up trying to please anyone and began writing historicals, having a wicked good time with them (literally) when out of the blue Jennifer Enderlin, then at Penguin/Signet called up my agent and offered a six figure contract for two romantic suspense novels.

After being flabbergasted for a few hours I said yes, and the idea appeared to me like manna from heaven.  I’d had no plans, no ideas, and suddenly it was all there before me.  I took all sorts of bits from the news – Norman Mailer got a murderer named Jack Henry Abbott paroled on the basis of his poetry (and his own ego) and Abbott ending up murdering someone.  There was a famous crime in Philadelphia where a teacher murdered a woman and her two children, though the two children were never found.  One of our endless Middle Eastern wars was on, giving me good role models for the father-in-law, and it all came together in a book so good it could cure cancer.

Now I’ve been told that’s a very offensive thing to say – that books can’t cure cancer.  But I’m basing it on Norman Cousins’s classic work, ANATOMY OF AN ILLNESS, where he discussed how laughter, watching Marx Brothers’ movies, cured him of a wretched disease.  It seemed completely logical to me – I think music or any art form can do the same thing.  When a book or a symphony or a movie speaks to you so exactly that you’re transported to another dimension then your body fills with all sorts of good stuff like endorphins.  Stuff that will heal you.  Personally I think that’s one reason athletes are healthy.  Not because they exercise, but because being a professional athlete requires you to get in “the zone” which is exactly where those endorphins etc.  lurk.

NIGHTFALL can cure cancer for some people – if it happens to speak directly to their fantasies.  It could, presumably, make other people ill with its intensity and darkness before the ultimate redemption.  I consider it a great gift to be able to write books that are that powerful.  Many reviews of my work say “Anne Stuart is not for everyone” or “not for the faint of heart,” and while I wish everyone could love my work I know that’s impossible.  At least I take comfort in the fact that few people are lukewarm about my work, and about NIGHTFALL in particular.

(BTW Norman Cousins was a good man, a peace activist but a sexist pig who believed women didn’t belong in the work force.  No one’s perfect).

A book like NIGHTFALL is like lightning in a bottle – no matter how powerful your will and your talent, you can’t make one happen.  It’s one of those rare, blessed times in a long career that carries you through the less inspired times, and reviews, sales, etc. mean nothing.  It’s my badge of honor, and I wear it proudly.

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